Post-produced at nhb Studios Berlin, Nout lent a hand to bringing them cars to the streets. While the panorama-pans were stitched together in Flame by the lead compositor, Nout cleaned up the streets: Many street signs, people, even parts of buildings had to be removed. The biggest challenge proved to be the very concept of the film: The speed! Therefor, tracking and matchmoving was tough.

Additional to the street action, there was also lots to do in the parking lot: Rotoscoping the F1 car, removing several background objects, lowering the gate bar… plus seperating the two cars for retiming their arrival and departure.